Hector Berlioz

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Track Artist Album
Harold en italie, Op. 16: III.Sérénade d'un montagnard des Abruzzes à sa maîtresse Hector Berlioz Berlioz: Les Nuits d'été Op. 7 - Harold en Italie Op. 16
Roméo et Juliette, Op. 17, Première Partie: No. 1, Prologue, Strophes Premiers transports que nul n'oublie! Hector Berlioz Berlioz: Roméo et Juliette
Symphonie fantastique, Op. 14: IV. Marche au supplice Hector Berlioz Berlioz: Symphonie Fantastique, Waverley
Roméo et Juliette, Symphonie dramatique, Op. 17, 4ème Partie: La reine Mab, ou la Fée des Songes Hector Berlioz Berlioz: Symphonie Fantastique; Romeo et Juliette
Grande messe des morts, Op. 5, Requiem: Lacrimosa Hector Berlioz Berlioz: Requiem, Op. 5
Symphonie fantastique, Op. 14: I. Rêveries - Passions Hector Berlioz Berlioz: Symphonie Fantastique, Waverley
Symphonie fantastique, Op. 14: II. Un bal Hector Berlioz Berlioz: Symphonie Fantastique, Waverley
Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat Hector Berlioz Berlioz: Symphonie Fantastique, Waverley
Symphonie fantastique, Op. 14: III. Scene aux champs: Adagio Hector Berlioz Berlioz: Symphonie Fantastique, Op. 14
Berlioz: L'Enfance du Christ, Op. 25, H. 130, Part 2: The Shepherds' Farewell Hector Berlioz 50 Best Classics
Lélio, ou Le retour à la vie, Op. 14b, H. 55B: IV. Chant de bonheur - Hymne (Live) Hector Berlioz Berlioz: Symphonie fantastique & Lélio, ou Le retour à la vie (Live)
Rêverie et Caprice, Op.8 Hector Berlioz Berlioz: Complete Orchestral Works
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet Hector Berlioz Berlioz: Symphonie fantastique, Op.14; Tristia, Op.18
Bevenuto Cellini, Op. 23 (Weimar version): Act III Scene 11: Recitative and Aria: Seul pour lutter (Cellini) - Scene 12: Scene: Son Eminence attend (a Hector Berlioz Berlioz: Benvenuto Cellini
Harold en Italie, Op.16: 1b. Harold aux montagnes (Allegro) Hector Berlioz Berlioz: Complete Orchestral Works
Tristia, Op.18: 2. La mort d'Ophélie. Ballade Hector Berlioz Berlioz: Symphonie fantastique, Op.14; Tristia, Op.18
Tristia, Op.18: 1. Méditation religieuse Hector Berlioz Berlioz: Symphonie fantastique, Op.14; Tristia, Op.18
Harold en Italie, Op.16: 3. Sérénade (Allegro assai - Allegretto) Hector Berlioz Berlioz: Complete Orchestral Works
Requiem, Op.5 (Grande Messe des Morts): 2. Dies irae - Tuba mirum Hector Berlioz Berlioz: Requiem, Op.5 (Grande Messe des Morts)
Requiem, Op.5 (Grande Messe des Morts): 4. Rex tremendae Hector Berlioz Berlioz: Requiem, Op.5 (Grande Messe des Morts)
Harold en Italie, Op.16: 2. Marche des Pèlerins (Allegretto) Hector Berlioz Berlioz: Complete Orchestral Works
Harold en Italie, Op.16: 1a. Harold aux montagnes (Adagio) Hector Berlioz Berlioz: Complete Orchestral Works
Harold en Italie, Op.16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) Hector Berlioz Ultimate Berlioz

Louis Hector Berlioz (11th December 1803–8th March 1869) was a French Romantic composer best known for the Symphonie fantastique, first performed in 1830, and for his Requiem - Grande messe des morts - of 1837, with its tremendous resources that include four antiphonal brass choirs. Berlioz was born in France at La Côte-Saint-André in the département of Isère, between Lyon and Grenoble. His father was a physician, and young Hector was sent to Paris to study medicine at the age of eighteen. Berlioz was horrified by the process of dissection, and, despite his father's disapproval, he abandoned his career path in medicine to study music a year later. He then attended the Paris Conservatoire studying opera and composition. He became identified early on with the French romantic movement. Among his friends were writers such as Alexandre Dumas, Victor Hugo, and Honoré de Balzac. Later, Théophile Gautier wrote, "Hector Berlioz seems to me to form with Hugo and Delacroix, the Trinity of Romantic Art." Berlioz is said to have been innately romantic, experiencing emotions deeply from early childhood. This manifested itself in his weeping at passages of Virgil as a child, and later in a series of love affairs. At the age of 23, his unrequited (at first) love for the Irish Shakespearean actress Harriet Constance Smithson was the inspiration for his Symphonie fantastique. In 1830, the same year as the symphony's premiere, Berlioz won the Prix de Rome. Berlioz's letters were considered so overly passionate by Smithson that she initially refused his advances. The symphony which these emotions are said to inspire was received as startling and vivid. The autobiographic nature of this piece of program music was also considered sensational at the time. After his return to Paris from his two years study in Rome, he finally married Smithson when she had finally attended a performance of the Symphonie Fantastique. She quickly realized that it was his depiction of his passionate letters to her. However, after only a few years, the relationship quickly fell apart. (Kamien 242) During his lifetime, Berlioz was more famous as a conductor than a composer. He regularly toured Germany and England where he conducted operas and symphonic music, both his own and music composed by others. He met virtuoso violinist and composer Niccolò Paganini a few times and, according to Berlioz's memoirs, Paganini offered him 20,000 francs after he saw Harold in Italy performed live as the money was intended as a reward for writing a viola piece for the violin virtuoso to perform as his own. Hector Berlioz is buried in the Cimetiere de Montmartre with his two wives, Harriet Smithson (died 1854) and Marie Recio (died 1862). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.