Natasha Barrett (1972, UK) is a composer and performer of electroacoustic art music. Her compositional aesthetics are derived from acousmatic issues, but in addition to acousmatic composition she composes for instruments and live electronics, sound installations, multi-media works and computer music improvisation. She currently lives in Norway. Natasha Barrett began working seriously with electroacoustic composition during a master's degree in analysis and electroacoustic composition, studying with Jonty Harrison at the University of Birmingham (UK). This study also gave her the opportunity to work with BEAST (Birmingham ElectroAcoustic Sound Theatre) which has greatly influenced her current work, and lead on to a doctoral degree in composition supervised by Denis Smalley, awarded in 1998 at City University (London, UK). Both degrees were funded by the Humanities section of the British Academy. In the same year, a grant from Norges forskningsråd (The Research Council of Norway) enabled her to work as a resident composer at NoTAM (Norsk nettverk for Teknologi, Akustikk og Musikk / Norwegian network for Technology, Acoustics and Music) in Oslo (Norway). She is now a freelance composer, sound-artist and researcher, based in Oslo. Her work has received many awards, including the Nordic Council Music Prize for 2006, the first prize at Musica Nova (Prague, Czech Republic, 2001), Noroit-Léonce Petitot (Arras, France, 1998), first prizes (1998 and 2001) in the Trivium section of the Bourges International Electroacoustic Music Competition (France), Concurso Internacional de Música Eletroacústica de São Paulo (IV CIMESP, Brazil, 2001), Concours SCRIME (France, 2000), Festival Internacional de Nuevas Tecnologías, Arte y Comunicación Ciber@RT / Ciber@RT International Festival of New Technologies, Art and Communicaton (Spain, 2000), Concours Luigi Russolo (Italy, 1998, 1995) and Prix Ars Electronica (Linz, Austria, 1998), 9th International Rostrum for electoacoustic music (2002) and Edvard Prize (2004) Norway. She receives commissions from institutions and performers in Europe and America, and her work is available on numerous CD labels, including empreintes DIGITALes, Aurora, Cultures électroniques/Mnémosyne Musique Média, CDCM/Centaur, and two privately produced solo CD productions. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.